Home MusicEmilia & Luísa Sonza’s “Bunda” Performance Shakes Up Carnival – Fans Go Wild!

Emilia & Luísa Sonza’s “Bunda” Performance Shakes Up Carnival – Fans Go Wild!

by Adriana Guerrero
78 comments

The Rio de Janeiro Carnival is known for its electrifying energy, music, and unforgettable performances — but this year, one moment stole the spotlight and set social media ablaze. Argentine pop star Emilia Mernes and Brazilian sensation Luísa Sonza took the stage at Nosso Camarote, one of the most exclusive parties of Carnival, delivering a provocative performance of their new hit single “Bunda.” The duo’s sizzling choreography, infectious chemistry, and unapologetic celebration of female empowerment became the talk of the internet — dividing opinions across Latin America and beyond.

The Performance That Took Over Social Media

On the night of March 1, 2025, Emilia and Luísa Sonza set the stage on fire at Nosso Camarote, one of the hottest VIP events in Rio’s Carnival. The crowd erupted as the pair performed “Bunda,” their latest collaboration that blends Brazilian funk, reggaeton, and Latin pop. The duo wore dazzling, skin-tight outfits as they confidently danced to the song’s pulsating beat — a celebration of body positivity and feminine sensuality.

What made the performance go viral wasn’t just the catchy track — it was the way Emilia and Luísa fully embraced the song’s playful, provocative essence. With synchronized dance moves that highlighted their curves, they captivated the audience both in person and online.

Videos of the performance quickly flooded social media platforms like Twitter, Instagram, and TikTok — turning Emilia and Luísa into trending topics in Brazil, Argentina, and several other countries.

What Is “Bunda” About?

Released on February 20, 2025, “Bunda” is a collaboration that blends the signature sounds of both artists. The title, which translates to “butt” in Portuguese, is a tongue-in-cheek celebration of body confidence, self-love, and freedom of expression.

The track fuses funk carioca — a genre rooted in Rio de Janeiro’s favelas — with reggaeton and Latin pop, creating an irresistible dance anthem that encourages listeners to let loose and own their sensuality. The accompanying music video, filmed on the iconic Flamengo Beach, features the singers twerking against the sunset, surrounded by dancers in a carnival-style party — further reinforcing the song’s message of unapologetic femininity.

Despite the playful theme, the song’s bold visuals and lyrics have sparked a heated debate about the fine line between empowerment and hypersexualization in the music industry.

Fans Can’t Get Enough

For many, the viral performance was nothing short of iconic. Fans flooded social media with praise, celebrating the duo’s chemistry and the song’s infectious energy.

One fan tweeted:

I lost count of the number of videos I saw these days of Emilia singing the same song in different places.

Another added:

I just gave her a million streams.

Many Brazilians were particularly thrilled to see Emilia embracing Brazilian funk and collaborating with one of their biggest pop stars. One user wrote:

Wow, she’s taking advantage of the partnership with Luísa, right? We love it.

Some even demanded the duo take the show on the road, with one fan tweeting:

I DEMAND EMILIA HERE IN SÃO LUÍS WITH LUÍSA ON CARNIVAL TUESDAY.

The Backlash: Hypersexualization Debate

While the majority celebrated the performance, others weren’t as enthusiastic. The routine reignited a long-standing debate about how sexuality is portrayed in music, especially by female artists.

One critic tweeted:

I’m sick of the hypersexualization of everything.

Another added:

Since when did a music recital turn into a porn performance???

The performance even sparked discussions about the influence of pop icons on today’s music culture. One viral tweet blamed Madonna for setting the precedent, saying:

Madonna is to blame for the fact that music shows are more like a cabaret than a recital… Damn you, Madonna.

However, fans were quick to clap back, defending Emilia and Luísa’s right to express themselves however they choose. One user fired back:

Literally the song is called ‘Bunda,’ and here they cry because they move their asses… Are they stupid?

Emilia’s Rising Stardom in Brazil

For Emilia, this viral moment marks a significant milestone in her growing popularity in Brazil — a notoriously difficult market for foreign artists to break into. The Argentine singer has been actively promoting “Bunda” in Brazil with several TV appearances, including a performance on Big Brother Brasil 25, the country’s biggest reality show.

However, not everyone is convinced. Some users speculated that despite the viral buzz, the song isn’t gaining traction on Brazilian charts.

Poor Emilia… she’s trying to make it happen here in Brazil but the music just won’t go up lol,” one user tweeted.

But with her performance at Nosso Camarote and the ongoing online buzz, Emilia seems closer than ever to winning over Brazilian audiences.

A Celebration of Female Empowerment or Too Much?

The Emilia and Luísa Sonza performance has reignited a cultural conversation that often surrounds female artists — where is the line between empowerment and exploitation?

While some see the performance as a powerful celebration of body positivity and women’s freedom to own their sexuality, others argue that the music industry pressures female artists to rely on sex appeal to succeed.

However, one undeniable fact remains — Emilia and Luísa Sonza have everyone talking. Whether loved or criticized, “Bunda” has become one of the most talked-about moments of Carnival 2025.

What’s Next for Emilia and Luísa?

As the video continues to rack up millions of views and spark online debates, both artists are riding the wave of controversy. With rumors of more collaborations and joint performances during the Carnival season, the duo is showing no signs of slowing down.

Love it or hate it, Emilia and Luísa Sonza’s “Bunda” has officially cemented itself as one of the biggest pop culture moments of the year — proving once again that when it comes to music, breaking the rules is often the fastest way to the top.


What do you think?

Is this performance a celebration of female empowerment — or is it crossing the line?

Let us know in the comments!

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