2024 was a monumental year for K-pop, with idols pushing creative boundaries, exploring new genres, and delivering some of the most exciting comebacks we’ve seen. From high-budget music videos to intricate choreography, the industry continued to showcase its flair for reinvention and innovation. But not every release managed to hit the mark. Behind the glitz and glamour, a handful of tracks sparked controversy, disappointment, and even ridicule among fans and critics alike.
While K-pop is often lauded for its polished image and high production value, the genre isn’t immune to moments of mediocrity. Some songs this year left listeners scratching their heads, be it due to confusing lyrics, overproduced beats, or poorly executed concepts. Others felt like rushed cash grabs that tarnished the reputations of otherwise beloved artists and groups. It’s a reminder that even in an industry celebrated for perfectionism, misses are inevitable.
This list isn’t about the worst music; it is about expectations that weren’t met, the hype gone wrong, the creative risks that went off badly, and unfortunate decisions that made fans feel disappointed.
From flops by industry juggernauts to cringe-worthy debuts, take a closer look at some of the worst K-pop songs of 2024. Turn down your volume; this one’s gonna be a tough listen.
Moonlit Floor – Lisa
Lisa, known for her incredible charisma and dance skills, delivered a rare misstep with Moonlit Floor. A song about being infatuated with a controversial figure, the concept alone raised eyebrows. The lyrics felt disjointed, oscillating between awkward metaphors and corny declarations. Paired with a flat melody, it was a rare moment when Lisa’s usual star power couldn’t salvage the track.
Toxic – Meovv
Was anyone asking for a watered-down Alessia Cara homage in 2024? Toxic brings nothing fresh to the table, instead feeling like an outdated Blackpink reject that got lost in translation. Fans speculated that producer Teddy might’ve accidentally greenlit the track. Either way, we’re collectively hoping this one fades from memory.
XO – ENHYPEN
Hyped to the heavens, ENHYPEN’s XO failed to deliver. With a bland and anticlimactic chorus, the track lacked the energy and catchiness that fans have come to expect from the group. It’s a rare stumble for a group that usually knows how to balance trendy sounds with their unique flavor.
Ggum – Yeonjun
TXT’s Yeonjun ventured solo with Ggum, but the result was underwhelming. Attempting to channel Jessi’s bold and brash energy, Yeonjun’s delivery fell flat, and the track came across as an unconvincing impersonation. It’s a reminder that sometimes less is more when it comes to self-expression.
Who – Jimin
Jimin’s Who sparked backlash—not just for the lackluster song but also for the underlying subtext. With many speculating about his ongoing draft evasion, the track’s release felt poorly timed. The ballad itself leaned on tired tropes and forgettable production, leaving fans wishing for something more substantial.
Cherish My Love – Illit
As a heavily anticipated comeback, Illit’s Cherish My Love left listeners disappointed. A snoozefest from start to finish, the track seemed like Belift’s half-hearted attempt at self-parody. The poor reception highlighted a need for stronger direction within the group’s management.
Izna – IZNA
Wakeone has been notorious for wasting resources on ill-fated projects, and IZNA’s Izna proved no different. Fans questioned why Kep1er’s earnings were funneled into such mediocrity. With uninspired vocals and generic production, it’s a song that likely won’t stand the test of time.
Super Tuna – Jin
This one’s for the kids—literally. Super Tuna felt like a nursery rhyme gone rogue, leaving fans debating whether it was meant as a joke or a genuine release. While endearing to younger audiences, older listeners found themselves unironically missing Baby Shark.
Boom Boom Bass – RIIZE
With claims of “making music” that pushes boundaries, RIIZE’s Boom Boom Bass delivered nothing but noise. Promising “contemporary Michael Jackson realness,” the track instead felt messy, poorly arranged, and overly ambitious. RIIZE has potential, but this one wasn’t it.
Gold – ITZY
A rare blemish in ITZY’s impressive discography, Gold tried but failed to be a grower. While it found a niche with some fans over time, the song’s awkward structure and forgettable melody make it a blemish in an otherwise stellar career.
Ice Cream – Somi
Somi took a playful approach with Ice Cream, but the clownish honk-beat production and cheesy lyrics left audiences unimpressed. Even Meghan Trainor—queen of campy pop—might have passed on this one. It’s proof that not every concept can stick.
Crazy (English Ver.) – LE SSERAFIM
LE SSERAFIM’s Crazy was already divisive in its original form. The English version, one of several unnecessary remixes, took a repetitive track and made it even more grating. With a hollow chorus and overused tropes, it’s a song that overstayed its welcome.
Badvillain – Badvillian
Billed as a new powerhouse, Badvillian failed to make their mark with Badvillain. The song felt like a budget version of what BabyMonster might offer, leaving fans wondering why they should care about this debut at all.
XXL – Young Posse
A halfhearted release from Young Posse, XXL felt like the group was phoning it in. With their contract rumored to be expiring soon, fans speculated whether this was a farewell flop. Either way, it won’t be missed.
Chk Chk Boom – Stray Kids
Stray Kids’ Chk Chk Boom was a rare low for a group known for bold experimentation. From the chaotic choreography to Changbin’s unnecessary rap, the track lacked focus. Though their album had highlights, this wasn’t one of them.
Walk – NCT 127
The infamous “cuz I’ll be bussin” line from Walk set the tone for what became one of NCT 127’s most cringeworthy tracks. The song was a lyrical and sonic disaster, leading fans to call for an overhaul of their creative team.
Renegade – Lucas
Lucas continues to struggle to regain public favor, and Renegade didn’t help his case. From the lackluster production to his tarnished reputation, the track felt like a desperate grasp for relevance. Fans were united in their distaste.
While 2024 had its share of bangers, these tracks showed that even the biggest names aren’t immune to missteps. Here’s hoping for stronger releases next year!
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