I attended Doechii’s concert at Gallagher Square on November 5th. Let’s say that if people think she’s truly an industry plant, then the industry needs to produce more artists like Doechii. The industry needs to enter more swamps because the Swamp Princess was putting on a show, from rapping to singing, in a theater or a play. I know SDSU was right around the corner, but many people received their degrees at Doechii University that night.
The crowd was decked out in green, and not that pretty green like emeralds; it was the swampy green of the swamp, as we all waited for the Tampa Bay legend to grace our presence.
Doechii Was Teaching ‘Art and Theater’ in San Diego
The night started with Doechii’s black and white visuals flickering across the screens, and then the spotlight hit her like Goku going Super Saiyan for the first time.
She began with “STANKA POOH,” with a behemoth record player and massive boombox speakers. “Childhood” memories are one thing; complete pandemonium is another.
A girl standing right next to me was yelling, ‘School is in session!’ and that we didn’t come to class with our homework!’
“I loved how every song was like a lesson,” another fan later reminded me. “Like, I was studying for the Swamp Princess midterm. And I was low-key taking notes!”
“And to be real with you,” she was absolutely right. Every song was like every chapter. Doechii had us learning, appreciating, and even taking emotional lessons.
“The Flow Was Different”
The moment she started spitting the rhymes, her flow was banging on my chest like bass therapy. She’s rhyming with the fervor of someone who is not about to squander any syllables.
One girl behind me screamed. “Her breath control was making me nervous. Watching her breathe was exhausting me. I need to get myself a gym membership.”
“Her stage presence is disrespectful,” another fan told me. “It’s like, what right do you have to be that talented at rap and performing?”
Facts. She changed seamlessly between rap and singing as if she had an entire team of songwriters in her head.
This Is Doechii’s World, We Just Live In It
Everything that has happened this year has been thanks to her pressure. “Anxiety” and “Denial is a River” dominated the streets and the charts.
Then she won the Grammy Award for Best Rap Album with “Alligator Bites Never Heal” and was nominated for Best Rap Performance and Best New Artist.
A new player in the rap game taking home the championship right away is ridiculous. It is the same as if the player were drafted and won the MVP in their first year.
One fan had the perfect quote to offer about this: “Female rappers are always raising the bar, but Doechii is in the gym breaking the equipment.”
Miss Milan magnified that energy as if her sole task was to confirm that DJing is a combat sport.
Fans Went Crazy Over “NISSAN ALTIMA”
When she dropped her rap “NISSAN ALTIMA,” the audience went absolutely mad. She was rhyming so quickly that she was pulled over for speeding.
A girl standing beside me cried out, “No one should be rapping this fast without a liability waiver. I need asthma meds!”
Even those who didn’t know the words to the song are dancing as if they had qualified for the final round in “So You Think You Can Dance” Swamp Edition.
“Strangers became strangers and started dancing with each other like club bathroom ‘you’re so pretty’ energy. Beautiful.”
Red Lights, Real Emotions
The show took a turn as the stage turned blood red, and she sang her rock rendition of “Anxiety.” It was like therapy for people who don’t believe in therapy. She followed it up with “DEATH ROLL”, which she revealed to be one of her most ‘vulnerable’, and then “BOOM BAP,” dropped, and the crowd went crazy.
She paused during her set to say:
“Thank you so much for defending me online from the trolls, the haters, and the bigots.”
The crowd erupted as the pride flags waved through the air. Love was insane. A girl in front exclaimed, “I’m fighting people for you like you pay my rent!”
The Moment Everyone Knew Was Coming
When the music video “DENIAL IS A RIVER” appeared, people just lost it. It was as if Beyoncé herself had come out. Cell phones weren’t even in sight. People were actually living in the moment. Yeah, right.
Constructed like a therapeutic conversation, the song had girls laughing, crying, and texting their therapist all at the same time.
During “WAIT”, she told everyone to hold hands, even strangers.
One girl grabbed my arm, like, “We linked up. I don’t care if we just met.”
The Grand Finale
She stepped out from the stage, and the screeching began.
“Encore”
“Do not play with us!”
She returned with the question,
“What do y’all want to hear?”
The crowd replied,
“Yucky!”
She brought us “Yucky Blucky Fruitcake,” the original banger that was many people’s introduction to her Oh The Places You’ll Go EP.
